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| Film Making |
Television, movies, and online distribution are the giants of our day. As authors, there is a lot of learning to be done from the strategies and values that shape the basis of the film and television industry.
Writing and films are all divisions of the tree where, regardless of methodology or layout, the goal is to establish and convey sense and to make it expressed in the best possible manner.
The outcome unifies all sides in a fresh and positive way. The way you organize stuff in a picture will make it look normal, formal or unusual. Place crucial stuff a little off the middle for a natural look (around a third of the way across the screen).
How it helps with writing?
Cinematography is a form of art which requires a lot of perspective and vision. In order to develop that kind of vision, one does need writing jabs. If you are pursuing cinematography courses, it would automatically mean that you would be able to learn about screenplay, plots and other aspects of cinema writing.
Not only will it help you write scripts but also help you in getting a better grip over the work of cinematography.
Perspective Theory
Perspective would be quite a straightforward concept in many ways of prose. It's the viewpoint character from which the narrative is told, or the person's personal essay is suggested. In cinematography, though, the perspective theory is also more abstract. Cinema's abstractness is twofold: physical and mental.
The use of viewpoint allows the filmmaker a great deal of influence in cataloguing the feelings of the viewer, their focus and their sense of time, space and tempo. Perspective can be extended to the same effect in writing in this more abstract manner. The producer and the photographer collaborate together on stage and on site to design the scene in a manner that is not only appealing to the eye.
Empathy and Juxtaposition
A major part of this entire procedure is decoding the use of juxtaposition. Juxtaposition puts two bits of material adjacent to each other in order to establish significance. In video, this concept applies in the fields of cinematography and editing.
Typically, it's the editor who can juxtapose special shots to render the director's cut. That being said, it's the filmmaker who captures the bits in which the editor is collaged.
Luckily, as a writer, all of you can be. It's essential to note that juxtaposition isn't something created using two shots or two scenarios. It can be generated using a dialogue, an entity, an entity, an atmosphere, a context, an event, or even a color. They can be juxtaposed as long as one piece comes after the other.
Studying in film institutes in Kolkata would teach you the importance of learning the key concepts. The concepts are viable for utilization in both writing and film making.
We hope this helped you understand the connection and dependency of cinematography with writing screenplay.
